News on art and society in Romania and around the world.<\/strong><\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_content_width=”grid” css=”.vc_custom_1488365436675{padding-bottom: 100px !important;}”][vc_column]
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\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n Mechanisms of consumer culture and nuclear tests as seen by five women artists <\/a><\/h2>\n <\/div> \n \n \n Textile art, painting and small-scale installations on subjects such as consumer culture, marriage and nuclear tests are brought together in <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/03\/Lucrari-de-Joan-Miro-1973-si-Robert-Morris-1969-fundacao-de-serralves-curatorial-480x360.png\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n Joan Mir\u00f3, face to face with contemporary art \/ photo gallery <\/a><\/h2>\n <\/div> \n \n \n The Catalan artist Joan Mir\u00f3 (1893 - 1983) insisted in the 1970s that he was not a modernist old master, <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/03\/3-Gaep-expo-Pavel-Braila-2026-fotoAlexandruPaul-510x360.png\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n INTERVIEW – Pavel Br\u0103ila: We need to create a different world where it is not who is in power, but who is right <\/a><\/h2>\n <\/div> \n \n \n Pavel Br\u0103ila, the artist representing the Republic of Moldova in its first participation in the Venice Art Biennale, talks in <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/02\/Ecaterina-Vrana-Contesa-alba\u0306-cu-oameni-albi-de-za\u0306pada\u0306-Autoportret-ulei-pe-pa\u0302nza\u0306-2015-442x360.png\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n Contemporary female artists from Dobrogea inaugurate the Art Galleries in Constanta <\/a><\/h2>\n <\/div> \n \n \n \"Sea Sisters. Stories by the Sea\" presents emerging and established artists at the Art Galleries in Constanta, inaugurating the recently <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/02\/Lucrare-colectia-IOMO-356x360.png\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n Group exhibition on the fifth anniversary of IOMO Gallery <\/a><\/h2>\n <\/div> \n \n \n An exhibition with works by \u00c1ngeles Agrela, \u00c6men Eded\u00e9en, Adrian Ghenie, Cathrin Hoffmann, Sea Hyun Lee, Jessie Makinson, Cristina de <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/02\/Inel-oferit-de-Brancusi-cantaretei-Maria-Tanase--551x360.png\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n Ring given by Br\u00e2ncu\u0219i to singer Maria T\u0103nase and a letter from him to Florence Meyer, exhibited in T\u00e2rgu Jiu\/ photo gallery <\/a><\/h2>\n <\/div> \n \n \n A sapphire and diamond ring given by Constantin Br\u00e2ncu\u0219i to the singer Maria T\u0103nase, a plaster bas-relief mounted on wood <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2023\/01\/berlinala-urs-de-aur-festival-film-shutterstock-curatorial.ro_-479x360.jpg\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Society<\/a><\/div> <\/div>\n \n \n\n \n Berlinale 2026 – Palmares. Awards for Romanian films <\/a><\/h2>\n <\/div> \n \n \n This year's Berlin Film Festival, which took place from February 12 to 22, has announced its winners, including Romanian productions <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2021\/09\/le-baiser-502x360.jpg\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n The story of Brancusi’s ‘Kiss’ from the grave of a mysterious Russian woman in Montparnasse cemetery <\/a><\/h2>\n <\/div> \n \n \n One of the versions of Constantin Brancusi's famous \"Kiss\", installed 115 years ago on the grave of a mysterious Russian <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2025\/08\/Sacel-Maramures-shutterstock-curatorial-480x360.jpg\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a>, Society<\/a><\/div> <\/div>\n \n \n\n \n INTERVIEW – Julie Crenn, from France to Bucharest via Maramure\u0219: Life on the periphery remains complex for all artists <\/a><\/h2>\n <\/div> \n \n \n It is important not to forget the rural reality, not to despise it and to present it as honestly as <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2023\/06\/muzeul-national-brukenthal-541x360.jpg\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n What the public preferred in 2025 at Brukenthal MN <\/a><\/h2>\n <\/div> \n \n \n More than 100,000 tickets were sold in 2025 at the museums from Brukenthal NM in Sibiu, according to a response <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/02\/Vlad-Nanca-Future-Perfect-II-2025-Gaep-foto-Alexandru-Paul.jpg\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n Artist Vlad Nanc\u0103, represented by Gaep Gallery <\/a><\/h2>\n <\/div> \n \n \n Vlad Nanc\u0103, the artist who was part of the project team that represented Romania at the Venice Architecture Biennale 2025, <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/02\/Brancusi-ne-priveste8-curatorial-480x360.jpg\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n Brancusi looks at us from (and through) movies, at MNAR – photo gallery <\/a><\/h2>\n <\/div> \n \n \n Conceived in the form of a visual narrative, outlining his artistic and human evolution through archival documents, photographs, photograms, film <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/02\/dunare-delta-murighiol-shutterstock-curatorial-640x360.png\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Society<\/a><\/div> <\/div>\n \n \n\n \n Recent archaeological finds in an exhibition dedicated to the Roman Danube <\/a><\/h2>\n <\/div> \n \n \n \"The Danube, the river that shaped a world. Roman Territories between the Iron Gates and the Black Sea\" can be <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/02\/Autoportret-Stefan-Bertalan-86-88-curatorial-511x360.png\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n INTERVIEW – Bernard Blist\u00e8ne, about \u0218tefan Bertalan, the resilient Romanian artist and community builder <\/a><\/h2>\n <\/div> \n \n \n Bernard Blist\u00e8ne, curator and honorary director of the National Museum of Modern Art - Centre Pompidou Paris, talks in a <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t\n \t\t \n
![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/02\/desene-Theodor-Aman-curatorial-491x360.jpg\")
\t\t <\/a>\n \t<\/div>\n\n \n \n \n Art<\/a><\/div> <\/div>\n \n \n\n \n A foray into Aman’s ‘secret room’ <\/a><\/h2>\n <\/div> \n \n \n Several dozens of drawing works are presented under the title \"Aman - Line, dot. Theodor Aman - draughtsman\", until the <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n \n\t
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- \n\t\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n
\n Mechanisms of consumer culture and nuclear tests as seen by five women artists <\/a><\/h2>\n <\/div>
\n\n\n Textile art, painting and small-scale installations on subjects such as consumer culture, marriage and nuclear tests are brought together in <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
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\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n Joan Mir\u00f3, face to face with contemporary art \/ photo gallery <\/a><\/h2>\n <\/div>
\n\n\n The Catalan artist Joan Mir\u00f3 (1893 - 1983) insisted in the 1970s that he was not a modernist old master, <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
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\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n INTERVIEW – Pavel Br\u0103ila: We need to create a different world where it is not who is in power, but who is right <\/a><\/h2>\n <\/div>
\n\n\n Pavel Br\u0103ila, the artist representing the Republic of Moldova in its first participation in the Venice Art Biennale, talks in <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
- \n\t
\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n Contemporary female artists from Dobrogea inaugurate the Art Galleries in Constanta <\/a><\/h2>\n <\/div>
\n\n\n \"Sea Sisters. Stories by the Sea\" presents emerging and established artists at the Art Galleries in Constanta, inaugurating the recently <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
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\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n Group exhibition on the fifth anniversary of IOMO Gallery <\/a><\/h2>\n <\/div>
\n\n\n An exhibition with works by \u00c1ngeles Agrela, \u00c6men Eded\u00e9en, Adrian Ghenie, Cathrin Hoffmann, Sea Hyun Lee, Jessie Makinson, Cristina de <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
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\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n Ring given by Br\u00e2ncu\u0219i to singer Maria T\u0103nase and a letter from him to Florence Meyer, exhibited in T\u00e2rgu Jiu\/ photo gallery <\/a><\/h2>\n <\/div>
\n\n\n A sapphire and diamond ring given by Constantin Br\u00e2ncu\u0219i to the singer Maria T\u0103nase, a plaster bas-relief mounted on wood <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
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\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Society<\/a><\/div> <\/div>\n \n \n\n\n Berlinale 2026 – Palmares. Awards for Romanian films <\/a><\/h2>\n <\/div>
\n\n\n This year's Berlin Film Festival, which took place from February 12 to 22, has announced its winners, including Romanian productions <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
- \n\t
\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n The story of Brancusi’s ‘Kiss’ from the grave of a mysterious Russian woman in Montparnasse cemetery <\/a><\/h2>\n <\/div>
\n\n\n One of the versions of Constantin Brancusi's famous \"Kiss\", installed 115 years ago on the grave of a mysterious Russian <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
- \n\t
\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a>, Society<\/a><\/div> <\/div>\n \n \n\n\n INTERVIEW – Julie Crenn, from France to Bucharest via Maramure\u0219: Life on the periphery remains complex for all artists <\/a><\/h2>\n <\/div>
\n\n\n It is important not to forget the rural reality, not to despise it and to present it as honestly as <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
- \n\t
\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n What the public preferred in 2025 at Brukenthal MN <\/a><\/h2>\n <\/div>
\n\n\n More than 100,000 tickets were sold in 2025 at the museums from Brukenthal NM in Sibiu, according to a response <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
- \n\t
\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n Artist Vlad Nanc\u0103, represented by Gaep Gallery <\/a><\/h2>\n <\/div>
\n\n\n Vlad Nanc\u0103, the artist who was part of the project team that represented Romania at the Venice Architecture Biennale 2025, <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
- \n\t
\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n Brancusi looks at us from (and through) movies, at MNAR – photo gallery <\/a><\/h2>\n <\/div>
\n\n\n Conceived in the form of a visual narrative, outlining his artistic and human evolution through archival documents, photographs, photograms, film <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
- \n\t
\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Society<\/a><\/div> <\/div>\n \n \n\n\n Recent archaeological finds in an exhibition dedicated to the Roman Danube <\/a><\/h2>\n <\/div>
\n\n\n \"The Danube, the river that shaped a world. Roman Territories between the Iron Gates and the Black Sea\" can be <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
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\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n INTERVIEW – Bernard Blist\u00e8ne, about \u0218tefan Bertalan, the resilient Romanian artist and community builder <\/a><\/h2>\n <\/div>
\n\n\n Bernard Blist\u00e8ne, curator and honorary director of the National Museum of Modern Art - Centre Pompidou Paris, talks in a <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
- \n\t
\n \n\t\n \t\t \n \t\t <\/a>\n \t<\/div>\n\n \n\n\n Art<\/a><\/div> <\/div>\n \n \n\n\n A foray into Aman’s ‘secret room’ <\/a><\/h2>\n <\/div>
\n\n\n Several dozens of drawing works are presented under the title \"Aman - Line, dot. Theodor Aman - draughtsman\", until the <\/p>\n <\/div>\n \n \n Continue reading > <\/span>\n <\/a> \n <\/div>\n <\/div>\n\t<\/div>\n<\/li>
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![\"\"](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2025\/01\/brukenthal-sibiu-shutterstock-curatorial.ro_-542x360.jpg\")
\t\t <\/a>\n \t<\/div>\n\n