{"id":49113,"date":"2025-02-10T12:40:27","date_gmt":"2025-02-10T10:40:27","guid":{"rendered":"https:\/\/curatorial.ro\/?p=49113"},"modified":"2025-02-10T12:40:27","modified_gmt":"2025-02-10T10:40:27","slug":"heliographs-based-on-footage-from-the-70s-and-80s-at-gaep-gallery","status":"publish","type":"post","link":"https:\/\/curatorial.ro\/en\/art\/heliographs-based-on-footage-from-the-70s-and-80s-at-gaep-gallery\/","title":{"rendered":"Heliographs based on footage from the 70s and 80s at Gaep Gallery"},"content":{"rendered":"<p>The exhibition &#8220;R\u0103zvan Anton: Fading Studies&#8221; is open from February 28 to April 12 at Gaep Gallery, bringing new works made by the artist from a family collection, specifically 8mm films taken by his father in the 70s and 80s.<\/p>\n<p>The footage is the basis for a substantial group of heliographs, as well as a two-channel video, &#8220;Archival Study (Places and Portraits)&#8221;, which will be screened in the gallery. This is the artist&#8217;s third solo exhibition at the Gaep. <\/p>\n<p>After several years of working with public archives such as the Minerva Press Photo Archive, <a href=\"https:\/\/curatorial.ro\/arta\/time-lines-artistul-razvan-anton-lucreaza-cu-timpul-captat-in-colectia-foto-a-familiei\/\" target=\"_blank\" rel=\"noopener\">R\u0103zvan Anton<\/a> began in 2022 to analyze images from his family collection. The works in the exhibition exemplify this shift in his practice. He continues to use a heliographic technique to uncover, somewhat paradoxically, a hidden meaning on the surface of old images. Anton begins by hatching the sheets of paper with a blue ballpoint pen, then overlays a transparent screen with the negative of the chosen photograph or film frame, and finally exposes them to sunlight on the studio windows. In a slow process that takes weeks or months, depending on the season, the sun develops the image, explains curator Mihaela Chiriac.    <\/p>\n<p>Like the heliographs, the video &#8220;Archival Study (Places and Portraits)&#8221; is based on 8mm footage of the father. Anton treated this private material in a similar way to the public archives he had previously worked with. Like an archivist who labels and classifies, he organized the footage into two categories: places and portraits. However, he lets the categories overlap and inevitably appear in both sides of the video installation. &#8220;Landscapes, gardens, houses, houses, faces, bodies belong to the same lived reality &#8211; mixed, disorganized, tangled. In front of this work, the eye and the mind are free to roam, seduced by the intimate appearance of old footage,&#8221; says Mihaela Chiriac.     <\/p>\n<h2><strong>About R\u0103zvan Anton<\/strong><\/h2>\n<p>R\u0103zvan Anton (b. 1980, lives and works in Cluj-Napoca) graduated with an MA in Drawing from Camberwell College of Arts in London, after undergraduate and MA studies at the University of Art and Design in Cluj-Napoca.<\/p>\n<p>His work has been included in exhibitions at MGML &#8211; Match Gallery (Ljubljana, 2021), Motorenhalle\/riesa efau (Dresden, 2019), Politecnico di Milano &#8211; Galleria del Progetto (Milan, 2019), the 15th edition of the Havana Biennial (2024) and the Art Encounters Biennial (Timisoara, 2017), among other venues.<\/p>\n<p>Prior to Fading Studies (2025), Gaep presented two solo exhibitions of his work: &#8220;Studies of Gaze&#8221; (2020) and &#8220;Mnemonics&#8221; (2015). Anton was artist-in-residence at MuseumsQuartier in Vienna and at the House next to the Synagogue, Media\u0219, as part of the project &#8220;Absence as Heritage\/TRACES&#8221;. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The exhibition &#8220;R\u0103zvan Anton: Fading Studies&#8221; is open from February 28 to April 12 at Gaep Gallery, bringing new works made by the artist from a family collection, specifically 8mm films taken by his father in the 70s and 80s. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":49103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[6965],"tags":[7048,7153,7154],"class_list":{"0":"post-49113","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"tag-exhibition","9":"tag-gaep-en","10":"tag-razvan-anton-en"},"_links":{"self":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts\/49113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/comments?post=49113"}],"version-history":[{"count":0,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts\/49113\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/media\/49103"}],"wp:attachment":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/media?parent=49113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/categories?post=49113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/tags?post=49113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}