<\/span><\/h2>\nThe Un Certain Regard secondary section includes: La\u00efla Marrakchi’s “La plus dulce”, Jordan Firstman’s “Club Kid”, Jane Schoenbrun’s “Teenage Sex and Death at Camp Miasma”, Abinash Bikram Shah’s “Elephants in the Fog”, Sandra Wollner’s “Everytime”, Katharina Rivilis’ “I’ll Be Gone in June”, Rakan Mayasi’s “Yesterday the Eye Didn’t Sleep”, Manuela Martelli’s “El Deshielo\/The Meltdown\u201d, Louis Clichy’s \u201dIron Boy\u201d, Marie-Cl\u00e9mentine Dusabejambo’s “Ben’Imana”, Rafiki Fariala’s “Congo Boy”, Viesturs Kairiss’s “Ula”, Valentina Maurel’s “I’m Always Your Mother Animal”, Rudi Rosenberg’s “Words of Love”, Sode Yukiko’s “All the Lovers in the Night”.<\/p>\n
Steven Soderbergh’s “John Lennon: The Last Interview”, Ron Howard’s “Avedon”, Christophe R\u00e9veille’s “Les Survivants du Che” and Avril Besson’s “Les Matins Merveilleux” are included in the non-competition section S\u00e9ances sp\u00e9ciales.<\/p>\n
The midnight screening includes “Roma Elastica” by Betrand Mandico, “Full Phil” by Quentin Dupieux, “Colony” by Yeon Sang-ho, “Jim Queen” by Nicolas Athane and Marco Nguyen, and “Sanguine” by Marion Le Coroller.<\/p>\n
This year’s Cannes Premi\u00e8re brings, in addition to John Travolta’s “Propeller One-Way Night Coach”, Kiyoshi Kurosawa’s “Kokurojo: The Samurai and the Prisoner”, Volker Schl\u00f6ndorff’s “Heimsuchung” and Daniel Auteuil’s “La Troisi\u00e8me nuit”.<\/p>\n
Out of competition are “Her Private Hell” by Nicolas Winding Refn, “Diamond” by Andy Garcia, “Karma” by Guillaume Canet, “Objet du deli” by Agnes Jaoui, “De Gaulle: L’Age de Fer” by Antonin Baudry.<\/p>\n
Other titles in the official selection will be announced in the coming weeks.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"The official selection for the 79th Cannes Film Festival, scheduled to take place from May 12 to 23, has been announced by Iris Knobloch, president of the event, and artistic director Thierry Fr\u00e9maux. Fjord, written, directed and produced by Cristian […]<\/p>\n","protected":false},"author":6,"featured_media":63810,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[6967],"tags":[8217,7070,7941],"class_list":{"0":"post-63858","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-society","8":"tag-cannes-film-festival","9":"tag-festival-en","10":"tag-film-en"},"_links":{"self":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts\/63858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/comments?post=63858"}],"version-history":[{"count":1,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts\/63858\/revisions"}],"predecessor-version":[{"id":63859,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts\/63858\/revisions\/63859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/media\/63810"}],"wp:attachment":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/media?parent=63858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/categories?post=63858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/tags?post=63858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"fjord,](\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/04\/fjord-cristian-mungiu.jpg\")