{"id":69780,"date":"2026-10-12T10:31:11","date_gmt":"2026-10-12T07:31:11","guid":{"rendered":"https:\/\/curatorial.ro\/uncategorized-en\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/"},"modified":"2026-10-12T10:31:11","modified_gmt":"2026-10-12T07:31:11","slug":"malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope","status":"publish","type":"post","link":"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/","title":{"rendered":"Malmaison, from Secret Prison to Haven for the Arts: A Building with a Traumatic Past Reborn Through Hope"},"content":{"rendered":"<div class=\"xjbqb8w xbs2zpe x1jchvi3 xh8yej3 x14nib4c x193iq5w xeuugli x1n2onr6\">\n<div>\n<div class=\"xh8yej3 x1ghz6dp x193iq5w xeuugli x1mzt3pk xx6l9st xiluyvs x76n50g xmhd2xj x1j0urif x3k6dzt x1ux7cnd xp43mbd xtbxs66 xak2u8z x1yc453h x16sz92x\" data-assistant-markdown=\"\">\n<div>\n<section class=\"xvmahel xlh3980 x78zum5 xdt5ytf x1qjc9v5 x1gpaknb x1jchvi3 xo1l8bm x12oo3zp x14nib4c x1fj9vlw x1mzt3pk x9f619 xeuugli xntwwlm x14rh7hd\" dir=\"auto\" aria-label=\"DIL content\">\n<p class=\"x1ghz6dp x1717udv x1wty727 x1pd3egz x4gjf66 xdj266r x15eiy0f x1lziwak x15472z4 x1qlqyl8 x15bjb6t x1lliihq x14rh7hd\" data-d-component=\"text\">Malmaison, a French-inspired building named in honor of Napoleon III, which served for decades as barracks for cavalry troops, then as a detention center during the communist regime, is now a historic monument and the place where a community of 35 artists is doing everything possible to keep it part of the urban fabric.<\/p>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/curatorial.ro\/arta\/pierderea-spatiului-malmaison-stat-comunitate-artistica\/\" target=\"_blank\" rel=\"noopener\">The Malmaison Workshops community<\/a> was founded in 2020 in response to the need for dedicated workspace for artists and is currently the largest group of its kind in Bucharest and throughout the country.<a href=\"https:\/\/curatorial.ro\/arta\/atelierele-malmaison-o-noua-speranta\/\" target=\"_blank\" rel=\"noopener\">\u201cO nou\u0103 speran\u021b\u0103\/ a New Hope\u201d<\/a>is the latest group exhibition here, featuring installations spread throughout the building and outside it\u2014an exhibition that harmonizes with the building, which has undergone changes over time and has served, in recent years, also served as a film set.<\/p>\n<div id=\"attachment_69661\" style=\"width: 1310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-69661\" class=\"size-full wp-image-69661\" src=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/instalatie-de-Ioana-Stelea-si-Paul-Popa-curatorial.png\" alt=\"installation by Ioana Stelea and Paul Popa, curated by\" width=\"1300\" height=\"975\" srcset=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/instalatie-de-Ioana-Stelea-si-Paul-Popa-curatorial.png 1300w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/instalatie-de-Ioana-Stelea-si-Paul-Popa-curatorial-480x360.png 480w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/instalatie-de-Ioana-Stelea-si-Paul-Popa-curatorial-975x731.png 975w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/instalatie-de-Ioana-Stelea-si-Paul-Popa-curatorial-768x576.png 768w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><p id=\"caption-attachment-69661\" class=\"wp-caption-text\">\u201cI\u2019d like to tell you that\u2026,\u201d an installation by Ioana Stelea and Paul Popa; curated by<\/p><\/div>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_80 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Summary<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/#Inspired_by_Empress_Josephines_residence\" >Inspired by Empress Jos\u00e9phine\u2019s residence<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/#Military_quarters_prison_and_projecting_institute\" >Military quarters, prison, and projecting institute<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/#A_Secret_Prison_Without_a_Monograph\" >A Secret Prison, Without a Monograph<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/#Pretrial_Detention\" >Pretrial Detention<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/#Professional_and_Physical_Deterioration\" >Professional and Physical Deterioration<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/#Espionage_trials_political_trials\" >Espionage trials, political trials<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/#Imprisoned_at_Malmaison\" >Imprisoned at Malmaison<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/curatorial.ro\/en\/art\/malmaison-from-secret-prison-to-haven-for-the-arts-a-building-with-a-traumatic-past-reborn-through-hope\/#A_New_Hope\" >A New Hope<\/a><\/li><\/ul><\/nav><\/div>\n\n<h2><span class=\"ez-toc-section\" id=\"Inspired_by_Empress_Josephines_residence\"><\/span><strong>Inspired by Empress Jos\u00e9phine\u2019s residence<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Built in 1844, during the reign of Gheorghe Bibescu, Malmaison was home to the Cavalry, while the Infantry was stationed on Spirii Hill, as historian Mihai Burcea explained during a tour that also marked the debut of \u201ca New Hope.\u201d<br \/>\nLater, during the reign of Alexandru Ioan Cuza, a military quarter\u2014a garrison\u2014was established here, and this entire military quarter took the name Malmaison to honor Napoleon III, \u201csince our entire history is inextricably linked to that of France.\u201d<\/p>\n<p>During the reign of Alexandru Ioan Cuza, to honor the excellent relations between the Romanian and French armies, the entire complex was named Malmaison after the Ch\u00e2teau de Malmaison, the residence of Empress Jos\u00e9phine, wife of Napoleon I. Her residence was later taken over by Napoleon III. And to celebrate these excellent relations between the Romanian and French armies\u2014the French having even sent an expeditionary force to our country to train the Romanian army\u2014the complex was given the name Malmaison.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Military_quarters_prison_and_projecting_institute\"><\/span><strong>Military quarters, prison, and projecting institute<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Starting in the 20th century, military quarters remained here until 1970. At that time, the entire complex\u2014including the Plevnei Prison, which was administered by the Ministry of Internal Affairs\u2014was decommissioned, and the entire building was transferred to the Iprochim Institute, which still manages it today.<\/p>\n<p>Iprochim was a massive research institute, with several hundred researchers working at their drafting tables to design the factories and plants needed by the chemical and petrochemical industries. In the same area, on Splaiul Independen\u021bei\u2014where the Ministry of Chemical Industry building was also located\u2014Icechim operated as well.<br \/>\nThese two massive institutes, Icechim and Iprochim, founded in 1950, merged in 1970 under the umbrella of the Central Institute for Chemical Research.<\/p>\n<p>After the Revolution, the institute continued to operate, but as the entire industry collapsed, the researchers here gradually retired or found jobs at other institutes or companies. Today, Iprochim SA is a company in which the Ministry of Economy holds a majority stake, and its areas of activity include the organic and inorganic chemical industries, as well as the petrochemical and refining industries.<\/p>\n<p>\u201cAlthough the building has a traumatic past\u201d\u2014having served as a prison during the royal, Legionary, Antonescu, and Communist dictatorships, as well as before 1938\u2014 Burcea adds, \u201cafter 2002, it was also rented out for various parties.\u201d<\/p>\n<h2><span class=\"ez-toc-section\" id=\"A_Secret_Prison_Without_a_Monograph\"><\/span><strong>A Secret Prison, Without a Monograph<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The full history of Malmaison is unknown, as there is no monograph on it. It is mentioned in memoirs and, to a lesser extent, in the interwar press.<\/p>\n<p>In 2021, Mihai Burcea began a research project alongside two fellow historians, and we sent letters to the National Council for the Study of the Securitate Archives (CNSAS) and to the Ministry of National Defense, requesting that they provide us with any documents related to this detention facility, the Malmaison prison.<br \/>\nThe response was: come to the site and examine the inventories. The online inventories contained nothing, and thus, the documentation regarding Malmaison was limited.<\/p>\n<div id=\"attachment_69664\" style=\"width: 1310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-69664\" class=\"size-full wp-image-69664\" src=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Stoyan-Dechev-Un-cal-fara-nume-Otilia-Boeru-Cerul-dinauntru-2026-Malmaison-curatorial.png\" alt=\"Stoyan Dechev, A Nameless Horse, Otilia Boeru, The Sky Within, 2026, Malmaison, curatorial\" width=\"1300\" height=\"975\" srcset=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Stoyan-Dechev-Un-cal-fara-nume-Otilia-Boeru-Cerul-dinauntru-2026-Malmaison-curatorial.png 1300w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Stoyan-Dechev-Un-cal-fara-nume-Otilia-Boeru-Cerul-dinauntru-2026-Malmaison-curatorial-480x360.png 480w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Stoyan-Dechev-Un-cal-fara-nume-Otilia-Boeru-Cerul-dinauntru-2026-Malmaison-curatorial-975x731.png 975w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Stoyan-Dechev-Un-cal-fara-nume-Otilia-Boeru-Cerul-dinauntru-2026-Malmaison-curatorial-768x576.png 768w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><p id=\"caption-attachment-69664\" class=\"wp-caption-text\">\u201cA Nameless Horse,\u201d by Stoyan Dechev, and \u201cThe Sky Within,\u201d by Otilia Boeru; curated by<\/p><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Pretrial_Detention\"><\/span><strong>Pretrial Detention<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>At no point in its history has this prison been structurally subordinate to the General Directorate of Prisons.<\/p>\n<p>This is where those in pretrial detention were held. \u201cOf course, during the communist era, some people were arrested without a warrant or with a blank warrant and could remain in pretrial detention for as long as two or three years. There were three major detention centers in Bucharest: A was the prison in Revolution Square, where the Ministry of Internal Affairs headquarters stands today\u2014the central detention facility of the Ministry of Internal Affairs; B was Malmaison; and C was in Uranus, on Spirii Hill, which was leveled to make way for the People\u2019s Palace.\u201d<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Professional_and_Physical_Deterioration\"><\/span><strong>Professional and Physical Deterioration<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>In the inner courtyard of the building, which had a total area of 13,000 square meters, was the parade ground\u2014where, during the period when military units were stationed there, the daily reveille was sounded and various ceremonies took place, including demotions\u2014an officer\u2019s sentence would be read aloud, his epaulets would be torn off, and his sword would be broken.<\/p>\n<p>Conscripts were housed in dormitories located on all sides of the building\u2014one of which was demolished after the 1977 earthquake, which had severely damaged it.<br \/>\nOn the west side were the stables dating back to the days of the Cavalry. Today, that building is no longer part of the complex at 137 Calea Plevnei. It later served as the royal riding arena, which was closed in 1950 to be converted into a student dormitory, and today it is part of the University of Physical Education and Sports.<\/p>\n<p>In several press photographs taken in the courtyard of Malmaison in the 1920s and 1930s\u2014which have been scanned and included in the Arcanum digital library\u2014one can appreciate its architecture.<\/p>\n<p>The only images of Malmaison found by the historian come from the interwar press. After 1945, there are no images of this location until 1989, neither in the National Archives nor at the CNSAS. It is possible that, after the building was transferred to Iprochim, the institute\u2019s employees took photographs inside it.<\/p>\n<p>Until 1970, because it was a secret facility, those who were imprisoned here and wrote their memoirs described only that they were led down stairs and provided very few details about the exterior, because, once they were taken out of their cells to be brought to the interrogators\u2019 offices\u2014located in annex buildings\u2014their eyes were covered.<\/p>\n<p>Details about what these looked like can be seen in \u201cThe Great Communist Heist\u201d (2004) by Alexandru Solomon; the director received approval from the Ministry of National Defense to film the documentary about the 1959 trial there. A reenactment, shown on a closed-circuit basis, was produced in 1960 by Virgil Calotescu.<\/p>\n<div id=\"attachment_69668\" style=\"width: 1310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-69668\" class=\"size-full wp-image-69668\" src=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/O-lume-noua-Mihaela-Moldovan-curatorial.png\" alt=\"A New World, Mihaela Moldovan, Curatorial\" width=\"1300\" height=\"929\" srcset=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/O-lume-noua-Mihaela-Moldovan-curatorial.png 1300w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/O-lume-noua-Mihaela-Moldovan-curatorial-504x360.png 504w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/O-lume-noua-Mihaela-Moldovan-curatorial-1023x731.png 1023w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/O-lume-noua-Mihaela-Moldovan-curatorial-768x549.png 768w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><p id=\"caption-attachment-69668\" class=\"wp-caption-text\">\u201cA New World,\u201d by Mihaela Moldovan; curated by<\/p><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Espionage_trials_political_trials\"><\/span><strong>Espionage trials, political trials<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Here, communists, Legionnaires, and trade unionists were tried by military courts. The trials could involve espionage, military personnel, or political offenses. When martial law was declared\u2014a practice frequently used by regimes prior to the 1940s\u2014political offenses fell under the jurisdiction of military courts.<\/p>\n<p>Among the most significant and well-known trials covered by the press is the one from 1936, which involved the entire leadership of the Secretariat of the Central Committee of the Communist Party, with the defendants including Ana Pauker, who became Minister of Foreign Affairs in 1947, and Alexandru Dr\u0103ghici, who in 1952 became Minister of State Security and later Minister of the Interior. Two hearings were held here, after which the trial was moved to Craiova due to demonstrations by supporters in front of the Malmaison. The 15 communists were sentenced to a combined total of 150 years in prison.<\/p>\n<p>Prior to that, in 1933, the strikers from the CFR Grivi\u021ba workshops were tried in Malmaison. That trial, too, was moved to Craiova after the first hearing, for the same reasons.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Imprisoned_at_Malmaison\"><\/span><strong>Imprisoned at Malmaison<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Among those who were brought to Malmaison over the years were lawyer Lucre\u021biu P\u0103tr\u0103\u0219canu, Legionary leader Corneliu Z. Codreanu, writer Nicolae Steinhardt, the first Communist prime minister Petru Groza, as well as Corneliu Coposu, Iuliu Maniu\u2019s secretary who later became president of the National Peasants\u2019 Party, arrested in 1947 and released 17 years later, writer Paul Goma, and Ecaterina B\u0103l\u0103cioiu, the mother of writer Monica Lovinescu.<\/p>\n<p>Now, Malaison <span data-d-streaming-word=\"\">is<\/span> <span data-d-streaming-word=\"\">where<\/span> <span data-d-streaming-word=\"\">the history<\/span> <span data-d-streaming-word=\"\">of detention<\/span> <span data-d-streaming-word=\"\">meets<\/span> <span data-d-streaming-word=\"\">the freedom<\/span> <span data-d-streaming-word=\"\">of<\/span> <span data-d-streaming-word=\"\">art.<\/span><\/p>\n<div id=\"attachment_69670\" style=\"width: 1310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-69670\" class=\"size-full wp-image-69670\" src=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Dosarul-Cobra-Chob-curatorial.png\" alt=\"The Cobra File, CHOB, Curatorial\" width=\"1300\" height=\"975\" srcset=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Dosarul-Cobra-Chob-curatorial.png 1300w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Dosarul-Cobra-Chob-curatorial-480x360.png 480w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Dosarul-Cobra-Chob-curatorial-975x731.png 975w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Dosarul-Cobra-Chob-curatorial-768x576.png 768w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><p id=\"caption-attachment-69670\" class=\"wp-caption-text\">&#8220;The Cobra File&#8221;, Chob; curatorial<\/p><\/div>\n<p>An installation by Chob (Olga Ciob) included in the exhibition \u201cA New Hope\u201d refers to the \u201cCobra File,\u201d as it was called by the Securitate. The work symbolically depicts the detention, as well as the last letter sent to Monica Lovinescu by Ecaterina B\u0103l\u0103cioiu from France in early 1960.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"A_New_Hope\"><\/span><strong>A New Hope<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The exhibition \u201cA New Hope\u201d brings together artists Liliana Basarab, Otilia Boeru, Chob, <a href=\"https:\/\/curatorial.ro\/arta\/caii-care-au-murit-in-primul-razboi-mondial-intr-o-lucrare-de-82-de-metri\/\">Edi Constantin<\/a>, Stoyan Dechev, Giles Eldridge, Mihaela Moldovan, Daniela P\u0103limariu, Stol Collective, Ioana Stelea &#038; Paul Popa, <a href=\"https:\/\/curatorial.ro\/arta\/interviu-dan-vezentan-arta\/\">Dan Vezentan<\/a>, and <a href=\"https:\/\/curatorial.ro\/arta\/interviu-zoltan-bela-jocul-cu-amintirile-si-cu-tehnicile-de-pictura\/\">Zoltan Bela<\/a>.<\/p>\n<div id=\"attachment_69672\" style=\"width: 1310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-69672\" class=\"size-full wp-image-69672\" src=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Coridorul-fantoma-Zoltan-Bela-curatorial.png\" alt=\"The Phantom Corridor, Zoltan Bela, curatorial\" width=\"1300\" height=\"975\" srcset=\"https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Coridorul-fantoma-Zoltan-Bela-curatorial.png 1300w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Coridorul-fantoma-Zoltan-Bela-curatorial-480x360.png 480w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Coridorul-fantoma-Zoltan-Bela-curatorial-975x731.png 975w, https:\/\/curatorial.ro\/wp-content\/uploads\/2026\/10\/Coridorul-fantoma-Zoltan-Bela-curatorial-768x576.png 768w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><p id=\"caption-attachment-69672\" class=\"wp-caption-text\">\u201cThe Phantom Corridor,\u201d by Zoltan Bela; curated by<\/p><\/div>\n<p>\u201cWe took into account the building\u2019s potential and the transformation of its transit spaces into cohesive exhibition settings, in which the architecture of the space, and the courtyard become a continuous backdrop for interventions, performances, and works by \u2018resident\u2019 artists or curators invited to collaborate with the Association. We  launched this project out of the need to define the relationship between studio, exhibition, and reception within a \u2018territory\u2019 in which Malmaison is also a potential community. This territory has a history paid for with the \u201csoul\u201d: hope\u2014an impossibility constantly conquered by the obstinate repetition of the possible. \u201cThe exhibition is, therefore, a first practical application and a promise of what is yet to come,\u201d say the members of AAAM.<\/p>\n<p>Another aspect concerns the theoretical framework for how the works coexist within an exhibition. \u201cIn order not to turn it into a case study of a concept\u2014which would have required defining its aesthetic quirks and idiosyncrasies in the hard currency of critical theories \u2014we preferred to employ three quasi-theoretical strands drawn from different working histories or three lines of visual contextualization, in order to address elective affinities in practice and modes of co-exhibition among the artists, nine of whom were selected following an internal call for projects, judged by Alina \u0218erban, C\u0103t\u0103lin Gheorghe, and the project team.\u201d<\/p>\n<p>The works can be viewed at Malmaison through November 21, Thursday through Sunday, from 4:00 p.m. to 8:00 p.m. Guided tours will be offered during this period, and the Open Doors event will take place in the first half of November.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Malmaison, a French-inspired building named in honor of Napoleon III, which served for decades as barracks for cavalry troops, then as a detention center during the communist regime, is now a historic monument and the place where a community of [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":69655,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[6965,6967],"tags":[7367,8627,8626,7051],"class_list":{"0":"post-69780","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-society","9":"tag-atelierele-malmaison-en","10":"tag-documentary","11":"tag-history","12":"tag-inspiration"},"_links":{"self":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts\/69780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/comments?post=69780"}],"version-history":[{"count":0,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/posts\/69780\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/media\/69655"}],"wp:attachment":[{"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/media?parent=69780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/categories?post=69780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/curatorial.ro\/en\/wp-json\/wp\/v2\/tags?post=69780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}