American artist Catherine Webb is presenting her latest works at the headquarters of the Foundation for Art, Nature, and Society in Bucharest, where she spent a month in residence. The oil paintings created during his stay in Romania will be on
“Flowering Branches and Landscape,” an oil on canvas signed by Queen Maria of Romania and dated 1906, fetched the highest price at the first auction organized by Alis on July 5, which had a sell-through rate of approximately 40 percent. With
“Picasso en visite” is the first exhibition held at the Art Encounters Foundation’s new venue. It opens in September and brings works by Pablo Picasso from the Musée Picasso, Antibes collection to Timișoara for the first time. Painting, graphic art,
The National Museum of the Romanian Peasant will once again be open to visitors in its entirety starting June 28, following ten years of work to reinforce the permanent exhibition floor. Following the reopening of the ground floor in April 2025
Lia Perjovschi, a renowned international visual artist, speaks in an interview with Curatorial about experimentation, turning points in her artistic development, the status of women in art, and the role of the artist. Together with Dan Perjovschi, they are marking four
“Just Out of Reach,” Emma Păvăloaia’s second solo exhibition at IOMO Gallery, runs from June 18 to July 31. “The exhibition begins at dinner,” explains Thom Oosterhof, guest curator at the Combinatul Fondului Plastic gallery. On an ordinary evening, reality begins
French painter Bernard Frize, the protagonist of an unprecedented exhibition in Eastern Europe, hosted by MARe/ Museum of Recent Art in Bucharest until August 16, brings a provocative perspective to the Romanian artistic landscape. After exhibiting in cities such as Tokyo,
MoBU, an art fair like a festival, as the director Demetra Arapu characterizes it, takes place this year from June 3 to 7, in the Central Pavilion at Romexpo, hosting 51 exhibitors and several events. In an interview with Curatorial, the
American artist Alejandra Moros considers physicality to be of enduring importance. In an interview with Curatorial, she talks about her obsession over small details, about Florida as a source of inspiration—“a place that is ecologically and politically precarious”—and about the
Samy Briss seems to have always been juggling in shades of gold, blue and the shapes of winged birds and fish, as if someone had put in his hands, since the beginning of the world, the brush of a sorcerer